cartoon

















IMPORTANT NOTE:
You do NOT have to register to read, post, listen or contribute. If you simply wish to remain fully anonymous, you can still contribute.





Lost Password?
No account yet? Register
King of Hits
Home arrow Forums
Messageboards
Welcome, Guest
Please Login or Register.    Lost Password?
Tipsheet Messageboard
Post a new message in "Tipsheet Messageboard"
Name:
Subject:
Boardcode:
B I U S Sub Sup Size Color Spoiler Hide ul ol li left center right Quote Code Img URL  
Message:
(+) / (-)

Emoticons
B) :( :) :laugh:
:cheer: ;) :P :angry:
:unsure: :ohmy: :huh: :dry:
:lol: :silly: :blink: :blush:
:kiss: :woohoo: :side: :S
More Smilies
 Enter code here   

Topic History of: bands/artists creating labels
Max. showing the last 5 posts - (Last post first)
Author Message
Manager Man herewegoagain wrote:
a lot of unsigned artists stay that way because they are quite simply not good enough

the cream will rise to the top at the end of the day....


Agreed - it is much harder these days though.
With downloads any "label" can stick-up a track and its competing with all the rest !

Oh for the 60's when there were only about 60 releases a week !
Michael Not everyone has what it takes to run a label, even if it is just for one act. However it does make a lot of sense bringing the business as far as you possibly can before being picked up. I know a number of acts that earn a decent living from running their own affairs. But they will never hit the big time like that. There are limits to the DIY path.
GG (producer) I agree 100% with herewegoagain.

I do think that if an act is truely good they are going to get a lot of attention.

I also agree with doing it for oneself, however that can mean a lot of things in varying degrees. I mean Mike Batt and Katie did it themselves didn't they, so to speak.

But that took a great deal of money, and Mike had it.

If the money question is not asked and answered to begin with then an act is doomed. Just my experience!
JK2006 Revvolution Records is doing so well that iTunes now accounts to us monthly and we just got a nice fat cheque for MAY.

Mind you, back catalogue helps though I'm expecting a healthy royalty for my Harold Shipman track, downloaded a lot in July, viewed by over 26,000 in a month on YouTube, with hundreds of comments (most of the obscene ones deleted).

Likewise healthy downloads for Satan's Ultimate Weapons of Mass Destruction and several other Earth To King tracks shaping up very nicely include VILE PERVERT (I do like that title), He Stood In The Bath And He Stamped On The Floor (ditto) and Mary My Love (sorry Mart).

Mart and my favourite from the collection, When Caravaggio Met Michelangelo, is rather slow but like the tortoise and the hare...
Mart The competition is so high for the so few, that, are not only talented enough, but commited enough AND meet the requirements of a crowded and slow selling market place.