It's a real quandry...
I think we've got the good songs/voice/musicians, and we've also got the money (between us) to make a good job of recording our material. The first time around, we had free studio time meaning that the engineer and manufacturing didn't bankrupt us all. This time around, we're recording ourselves having spent quite a bit on the relevant kit (laptop, logic, MOTU, etc etc). The mic's we borrow for free from our guitarists mastering firm. All that's left is guest musos (Dan Cassidy on violin - yay!) and manufacturing.
But the rub is that having the money to splash on engineers or decent equipment implies that we have good careers - and we all do. And we're geographically split between London and Cambridge. No-one can move without jeapordising their career and risking losing the ability to fund what we do now. But we can't gig 'till we drop unless half of us move. Bit of a vicious circle that...
So in our case, getting some help in terms of promotion or radio play would be the sort of leg up that helps us reach a larger audience, shift a few more CDs, get some higher profile bookings, etc. And certainly when it comes to radio play, when I last tarted us around, not being signed was a barrier even to local commercial radio.
Mind you, the love of the music is still a big part of why we do this, so it's not like we're beating ourselves up over it.
Anyhoo, just my 5p worth...
--Chris (
www.myspace.com/stryngs - yes, we caved in and stuck a profile and some songs up... only about a year behind the myspace curve...)