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Oh dear; I introduced Elton to Interview With The Vampire...
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TOPIC: Oh dear; I introduced Elton to Interview With The Vampire...
#3398
Oh dear; I introduced Elton to Interview With The Vampire... 18 Years ago  
Wed Apr 26, 2006 12:18 PM ET

By Claudia Parsons

NEW YORK (Reuters) - The third vampire musical to try its luck on Broadway in four years drew all the familiar puns in scathing reviews Thursday that said "Lestat" was "bloody awful," "sucked of life" and the "kiss of death."

"Lestat" was Hollywood studio Warner Bros.' first attempt to challenge Disney's dominance of the mass-market musical genre, reportedly with a budget of up to $12 million. Based on Anne Rice's vampire novels, the show features songs by Elton John and his writing partner, Bernie Taupin.

Expectations had been low after a critically savaged trial run in San Francisco. History was also against "Lestat" after the failure of two previous vampire musicals, "Dance of the Vampires" in 2002 and "Dracula, the Musical" in 2004.

In a review headlined "Vampires, the musical kiss of death," The Washington Post's Peter Marks said the fixation with singing vampires had to stop. "Give the bloodsucker a ballad, and it's his show that joins the walking dead."

"The only thing distinguishing this musical from its late, unlamented predecessors is that the lead vampires play for the, er, other team," he said. "'Lestat's' contribution to art and equality is demonstrating that a gay vampire with a two-octave range can be just as dull as a straight one."

The New York Post's verdict was "Bloody Awful" and Newark, New Jersey's The Star-Ledger said it was "just deadly."

The plot, from Rice's "Vampire Chronicles" books, follows the 18th century Frenchman Lestat, who is bitten by a vampire after slaughtering a pack of wolves. The books were made into a hit film starring Tom Cruise and Brad Pitt in 1994.

'CLAUDIA HAS TWO DADDIES'

Lestat's dying mother convinces him to bite her so she can live forever. His relationship with his childhood friend Nicholas ends in tragedy and he does little better in New Orleans with his next companion, Louis.

Describing "Lestat" as a "musical sleeping pill," The New York Times critic Ben Brantley said: "The closest 'Lestat' comes to so-bad-it's-good camp is in a subplot that might be called 'Claudia Has Two Daddies.'"

"Claudia is the little orphan girl brought home as a peace offering to the sulking Louis by Lestat, who turns her into a vampire after finding her destitute on the streets of New Orleans," he wrote.

In a review headlined "Undead 'Lestat' sucked of life," Newsday's Linda Winer said: "The undead can't catch a break on Broadway these days..... The curse continues with 'Lestat.'"

In a sign of the power of bad reviews, the producers of another high-profile production, the Johnny Cash musical "Ring of Fire," which opened in March to dismal notices, announced on Thursday it would close on April 30.

Bad reviews don't always spell doom, particularly for a show aimed at tourists rather than elitist New Yorkers, but USA Today's Elysa Gardner said the gay vampire musical may have trouble appealing to an audience seeking mainstream family entertainment.

"There's no love like a mother's love, especially if your mom happens to be a vampire. Unless, that is, you have two fathers among the living dead," Gardner wrote. "Those are just a couple of the twists on family values that threaten to make Lestat ... the religious right's worst nightmare."
 
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#3642
Re:Oh dear; I introduced Elton to Interview With The Vampire... 18 Years ago  
Lucky me. I saw Michael Crawford in "Dance Of the Vampires" (with music by Jim Steinman of Meatloaf fame)
and I saw "Lestat" just weeks ago on my birthday.
The only way I can get my significant other to Broadway is if there is a vampire theme. I admit the
last good Vampire play I saw was the Edward Gorey inspired "Dracula" in the 70's or 80's, don't remember, time moves so quickly. I do, however, remember it was very witty with dazzling hand drawn black and white sets.
We liked "Dance Of The Vampires" it had a wildly quirky
sense of humor and I thought the use of "Total Eclipse Of The Heart" as the musical centerpiece was priceless.Plus it had a nice twist at the end and it was nice to see Michael Crawford in something not as
"precious" as "Phantom Of the Opera" again, he always was pretty funny if you recall.
Anyway. The evening at "Lestat" started most dismally when I found myself seated behind a woman with the
biggest head in the universe totally blocking the stage. So I moved myself over to the wheelchair accessable seating and had a much better view. There are several very nice pop songs. And a couple of funny moments in act two when Claudia sings a very Veruca Salt inspired "I Want More". Hugh Panaro has a wonderful voice and is very nice to look at, but for the most part the play was all over the place and there were no stand-out moments. I'm sure it will run for awhile anyway, they're doing some very energetic tv advertising.
We shall see. And when "Right Before My Eyes" comes out as a single (which it should) it should be a hit for the reinstated John/Taupin duo.
 
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